Monday, July 2, 2012

Month in Review - June 2012

Grace Cossington Smith, The Lacquer Room c.1935-36 (Art Gallery of New South Wales)

The June highlight for me was attending the Third Annual POPCAANZ Conference in Melbourne (27th-29th June) where I presented a paper on my latest obsession, lamingtons, and had the pleasure of mixing with other food people and hearing about their research.
POPCAANZ is the Popular Culture Association of Australia and New Zealand so you can imagine the conference covered a huge range of interests - animation, architecture and design, comics, anime and manga, fashion, fiction, film, music, gender, performance, toys, romance - and food. Unfortunately I was only able to be in Melbourne for a day and a half so didn't get to do more than attend the food sessions on the Wednesday and on Thursday morning but that gave me quite enough to think about. Aside from my scintillating discussion of the lamington the food sessions included
  • Carmel Cedro from Monash University who presented a paper on the Dolly Varden cake tracing its evolution from the first recipes of the 1880s to a modern incarnation as an Amy Varden cake, dedicated to the late Amy Winehouse.
  • Toni Risson, who some of you may already know from her book Aphrodite and the Mixed Grill which has just be reprinted, talking about children's birthday cakes and in particular The Australian Women's Weekly Children's Birthday Cake Book. With my interest in cake this paper set me thinking about how we have transferred the time and energy and emotional commitment which might once have gone into the making of the cake to the decoration of the end result of adding egg to a packet cake mix.
  • Donna Lee Brien from Central Queensland University whom I met last year at the Gastronomy Symposium in Canberra, introduced us to Maria Kozslik Donovan. Mrs Donovan was a cookery writer who began her career in Melbourne in the 1950s writing in The Age and published several books including The Blue Danube Cookbook, Astrology in the Kitchen and Continental Cookery in Australia. She had a fascinating life and her writing certainly puts a new perspective on the idea that Australia was a gastronomic desert in the 50s and 60s.
  • Jill Adams, who is working on her PhD with Donna Brien at CQU, spoke about Mrs Dione Lucas. I wrote briefly about Dione here. Jill has not only found out more about Dione Lucas and her visits to Australia but has also met her eldest son and learnt a lot more about the real Dione.
There were also two papers about wine, one from Felicity Ameron on the role of Mary Penfold in the establishment of the Penfold winery and one from Lloyd Carpenter on the use of nostalgia to market wines from the Central Otago area. New Zealanders were well represented with Lindsay Neill, from Auckland, talking about kiwiana (that is the NZ equivalent of Australiana) and in particular the White Lady pie cart (which is a fixture in Auckland, imbued with all sorts of cultural and societal importance and is a significant tourist attraction), Lorna Piatti-Farnell talking about food in Katherine Mansfield's fiction and Rowan Holt arguing that the home economics teacher is a better role model for young people than the celebrity TV chef.
Tania Splawa-Neyman from RMIT (School of Arichitecture and Design) gave a terrific presentation entitled 'Food and fashion on the web: the cultivation of culture' which explored connections between food and fashion, asking questions such as - Does food design fashion, or does fashion design food? What does this linkage say about our culture? Is society predominantly concerned with the basic need to be clothed and fed? Or is popular culture shaped by how we wish to be seen while clothing and feeding ourselves? In particular the images Tania showed generated some lively discussion. Have a look at wardrobevpantry here. I particularly like this one, this one and for something to really make you think, this one.

Unfortunately there were two papers I missed altogether - Michelle Phillipov (lecturer in journalism, media and communications at the University of Tasmania) talking on the way Master Chef offers insight into debates about food and health and the limitations of current public health strategies, and Charmaine O'Brien whose paper examined 'how we might take some lessons from the eating habits, and culinary etiquette, of our aristocratic ancestors to learn how to take an approach to food that is more restrained and that might assist us to reduce our collective waistlines and develop a more respectful sustainable relationship to food'.

POPCAANZ produce a journal The Australasian Journal of Popular Culture the most recent edition of which includes articles by Toni Risson, Carmel Cedro, Lorna Piatti-Farnell and Lindsay Neill as per the above as well as papers on The Bushells tea advertising1998-2006 (Susie Khamis), the early days of coffee culture in Australia (Jill Adams) and royal wedding cakes (Adele Wessell). You can find out more about the association and the journal here.

I chose this month's illustration because it seemed to fit in with a general theme of cake and afternoon tea and perhaps even lunch. So first up here is a link to an article about a new exhibition at New York Public Library (why wasn't this on earlier in the year) which is all about Lunch. And here is another from Nicola at Edible Geography which fits in with all the talk above about cake and icing. With Dione Lucas and Maria Kozslik Donovan in mind you might also be interested in this article about another forgotten woman and her recipe book.

Sunday, July 1, 2012

Month in Revue - May 2012

Both May and now June were busy months with many distractions. Nonetheless I did have a plan for what I would have written at the end of May, so here it is.
I thought this month we should concentrate on people.
For some time now I have tried to convince myself that my life will only be complete when I have either a Kenwood Chef or a Kitchenaid mixer in my kitchen. There are two reasons why I don't have either -
1.  I can't make up my mind which of the two would make my life completest and
2.  I have a perfectly decent Sunbeam mixmaster which was given to me as a wedding present along with the juicer and blender attachments and hasn't missed a beat (if I can use that term) ever and has been part of my life for so long that it is part of the family. I could not in all conscience cast it aside for a younger, showier model.
What I did not know was the the Kenwood Chef was in fact the invention of a Mr. Ken Wood who went on to become very rich. Read about Mr. Wood here and about an exhibtion to honour the mighty mixer here.

Not only was I less than well informed about the origins of the Kenwood I also didn't know very much about Mr. Craig Claiborne other than that he was an American and his name seemed to get dropped a lot by food people. A book entitled The man who changed the way we eat: Craig Claiborne and the American Food Renaissance by Thomas Mcnamee sounds worth reading to fill in what appears to be a huge gap in my knowledge. Two reviews here and here give a clue to the influence Claiborne had on the American, and international, food scene.

I mentioned Mario Batalli last month but here he is again in a piece which is a though provoking contrast to the articles on Claiborne. And while we are on a roll with clebrity chefs here is a piece by Mark Bittman on Thomas Keller and the influence of Fernand Point. Fernand Point was born in 1897 and died in 1955 and trained chefs with whom we are perhaps more familiar today - Paul Bocuse, Alain Chapel and the Troisgros brothers for example, chefs who went on to promote French cooking in the '70s. Point was not a celebrity chef as we understand that term today and he didn't leave behind a shelf of his recipe books but he is known for his aphorisms, his rules which guided his cooking. Gay Bilson in Plenty. Digressions on Food  includes a chapter where she translates some of these and updates them and they make fascinating reading if you can get your hands on a copy of Bilson's book.
I especiallly like
'A cook who thinks every action makes him a great chef is like a man who repaints his garden gate and thinks he is an artist'
and I like his distrust of anyone who is thin
'The first time I dine at a restaurat, I always shake hands with the chef before I order. I know that if he is thin I will eat badly. If he is not only thin but unhappy, I flee.'
'Before judging a thin person, however, one must ask about his past: he may once have been fat.'

And to end on another food writer about whom I was almost totally ignorant, I was interested in Mark Bittman's piece on Colin Spencer (here), described by none other than our Germaine as 'the greatest living food writer'.